Cafe studies

Slowly coming out of the winter, tho I know in this part of the country it’s a big tease.

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What am I to do if I don’t loiter? Some artists comment,”You draw so fast!”. But if they watched me, they’d observe I’m anything but a blur. I may use techniques that achieve great effect, and I prefer to say I draw fluidly, but, it ain’t speed. Decisiveness rules the day. But, it still takes time. And, if your subject seems to be comfortable and settled into what they’re doing, enjoy what you’re doing. Slow down a bit, look more deliberately.

Perhaps it’s that I draw in ink and with pigmented pens, and use multiple nib sizes and brush nibs that cover rapidly. It might also have to do with not sketching in pencil first then switching to ink or paint. Once warmed up I might get to final contours and tones early in the process. Still, if you’re going to adorn a dress with flowers, or convincingly portray a head full of curly locks and beard stubble, time flows on, and easily enough, you’ve spent 20-30 minutes trying to capture a citizen enjoying a book while sipping away at a beverage.

I see the following tools used in the above drawings: various fountain pens, Pitt Artist Pens, white grease pencils (aka White China Markers) and White Big Brush Pitt Artist Pen. Papers would be: Strathmore toned paper, Yasutomo, Utrecht toned paper, Cachet Eartbound, different ledger books, Tomoe River Paper.

Loitering, Pen & Pad in Hand

  • February 22nd, 2016
  • Posted in Drawings
  • Tagged , , , , , , ,
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