Perhaps one of the most anticipated and auspicious days of my year is the 12 hour life drawing marathon at The Palette & Chisel on Labor Day. Though I am 63 years old and have had a number of jobs over the years that were not based on the semester structure of schools, the hangover of all that early life preparation, and the change of seasons, still creates this sense for me of new possibilities. Thus, when others look to take the day off from the grind, I look to put in one of my longer days working towards the betterment of my craft.

The sessions start at 7am with a model in the third floor studio, and later, models may be posing on the second floor and out in the coach house. Forty-five minutes to an hour are set aside for lunch out in the courtyard, but then I head back upstairs till the sessions conclude at 7pm. On average, I show up at 7:30-8 in the morning and last till 6:30-7 at night. If I get in some sketching on the 40 minute train ride to the Palette & Chisel, that serves to warm me up and gives me a sense of what the day’s efforts may yield.

    

Fountain pens, Platinum Carbon ink, Pitt Artist Pens, Tomoe River Paper, ledgerbook.

A Day of Laboring Over Nudes

  • September 6th, 2017
  • Posted in Drawings
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