Tagged: drawing in public


You are on notice: if you fall asleep in my presence, you are subject to being drawn. If you are given to snoring, jaw agape, garlands of drool, the glistening of old silver fillings, tonsils on full display…..I will be faithful in the depiction of your example of the human condition on automatic pilot. Even more troubling, I am one of tens of thousands applying our craft.
You have been warned.
We are legion.
You should expect us.

Fountain pen and Pitt Artist Pens on Tomoe River Paper.

Repose Reportage

 
Went to The Music Box Sunday night with GBabe and two Italian friends to see L’Inferno 1911. The first Italian film three years in the making that was released in March 1911 and directed by Francesco Bertolini, Adolfo Padovan, and Giuseppe de Liguoro. The viewing at glamorous The Music Box Theater was set to a live musical performance with soundtrack by Maestro Stefano Maccagno who also played the keyboards and bassist Furio di Castri as part of the Chicago International Film Festival in collaboration with the Italian Cultural Institute of Chicago. I grabbed a quick sketch of audience members before the lights went down and later ad libbed King Minos and Charon into the sketch. Jaw dropping in it’s visualization of the first canticle of Dante’s Divine Comedy, and so wonderful in the low tech pre CGI effects such as Lake Cocytus, the frozen lake of the ninth circle, where those who committed treachery against God are punished. (The lake itself was formed from the tears of Lucifer, and the flapping of his wings kept it frozen.)
A fantastic cinematic event, it will be performed again in the Chicago area. Don’t miss it!
The dialogue of the two begin,
Man in hat,”Madonna! Italiani dappertutto!”
Her, “Tra il pubblico?”
Him,”No! Tra I dannati!”
Again, catch this influential masterpiece.
fountain pen and Pitt Artist Pens on mulberry paper in handmade sketchbook

L’Inferno 1911

 

 

Claus Oldenburg’s metal & wood glove and ball, a first baseman’s mitt if we’re to be exact, in the grand atrium at the magnificent Cleveland Museum of Art. A huge and rewarding collection with prime examples of the work of the artist in the collection. Superb building and facilities.

Faber-Castell Pitt Artist Pens on a Rhodia unlined notebook.

 

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