Tagged: figure studies

 I enjoy watching people at work. Over the last dozen years or so of going to life drawing sessions, I’ve turned my attention to the artists as they ply their craft. While not completely still, their movements are generally gradual enough to catch the gist of their posture with the added challenge of frequent adjustments. An artist standing at an easel may back off with some frequency but even those seated upon the bench know as a horse might need to shift to relieve pressure or numbness. I draw with ink so should the artist move significantly I either begin a second drawing or incorporate the new position right on top of the drawing in progress in the manner of pentimento. I’ve dropped into life drawing sessions across the country, but the primary place I work on my nude figure drawing chops is the venerated Palette & Chisel.  Some of these artists I’ve worked alongside for years such as my friend Misha, who hails from Minsk, Bielorussia where he studied art as a young man. A wonderful subject in his own right he is very dogged in his approach taking glimpse at the figure before working with a long practiced surety. Others rapidly look back and forth between page and subject. One in particular, Bodo, very actively tilts his head left to right while quickly looking up and down and working alternately on different sections of anatomy making him one of the more challenging to capture a likeness of. Mary Qian, seen in baseball cap and in the final drawing, frequently looks thru a pair of binoculars to help her with detail.


Medium used: Faber-Castell Pitt Artist Pens, various Fountain Pens, Platinum Carbon Ink, deAtrementis Ink, Pentel Brush Pen, Tomoe River Paper, Hahnemühle sketchbooks, repurposed ledgerbooks, Stillman & Birn sketchbooks,

LARD A MERCY! Finally. Scanner’s working after 3+ months. Sorry to all my viewers for letting the site go stale. I’ve been drawing my little knuckles to the bone during that time so I’ll be posting drawings in frequent clusters in the coming weeks. I’ve been out on the road and even went to my first Dr. Sketchy’s while out in Seattle so I’ll give y’all the what’s up regarding that. My thanks to all who continued checking in to see if I was still alive or if I’d given up drawing and had gone to crush grapes in a monastic order that made jams and balsamic vinegars. All drawings are in a Quo Vadis planner on Clairefontaine paper. Cheers, Darn.

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