Tagged: landscape



Spent a solid month trekkin about the West coast and sat on my duff for a goodly number of hours. It’s the sort of thing that puts demands onyer fashion choices, ie comfy britches with a properly deep inseam and good travel shoes.



The lanscapes below were draw from a bus. The one with the birds on the telephone lines was a 15 minute sketch at a rest stop in southern Oregon, the others were enroute at 60 mph.


All drawings executed with ink, fountain pens, Pitt Artist Brush Pens, Platinum Carbon Ink, in various hbooks, Rhodia, Moleskine, Stillman & Birn, Tomoe River Paper.

Clybourne Station

I grew up in pretty suburbs and the bucolic residential neighborhoods of places like Phoenix. Arizona, Lakewood, Washington, Ridgewood, N.J., Monterey, California,Camp Springs, Md.,  Austin, Texas. And I do like trees and gardens and sweet bungalows and St. Augustine grass. But man, something about the grit , scale, and muscularity of large urban environments has always held magnetic appeal for me. There’s the dynamic, move over and make room way that cities evolve. Some subs just have a plow-it-under and drop-it- down- from-the-sky development, that plans from the outset to organize and control everything. The excitement of seeing a grand scheme have to yield to new needs while hanging on to previous requirements and cherished attributes, creates a scenario that realizes in concrete, steel, asphalt, glass, and landscapes the dynamic influx on new arrivals and migratory populations that are our life blood as a society.

The scene  above was drawn up on the loading platform at Ashland, Cortland, and Clybourne, while I waited for a Metra commuter train to  Rockford College, and the variety of architectural texture that is offered from the 360 degree view up on that platform is one big reason I live in a rust belt behemoth of a city.

wow bao two tuned in snooze and wait ride home

These were drawn in a Stillman & Birn watercolor spiral sketch pad with fountain pen filled with Platinum Carbon Ink, Pitt Artist Pens, and F-C water soluble graphite pencils.

Back in the grandeur of the Northwest and glorious Seattle. A town whose weather has never put me off.

Spent a glorious day by the Cedar River just 50 yards from an old train tressel that spans the river to the right. But a couple hours of drawing burnt the bejeezus outta my neck.



   Great time on the West coast, 2 cities, Portland & Seattle that I really like. Warts & All. And just so you know…that 4 hour delay was on UNITED.

Went to the Great state of Kal-A-Forn-Eye-Ayyyyyyyyy to do a mess load of demos. Stayed with my nephew Brett in Redondo Beach right ‘ere on de water. That’s him above serfin’ the ‘net and sportin’ a tee with Mr. Lee’s not-so-likeness on it. Brett is one of the truely good humans on this planet. My 2 brothers and I must’ve drained all the rascalness outta the gene pool and all that was left by the time Brett came along was kindness.

Below left is the sketch made whilst waitin’ for Brett at LAX. Next to that a street sketch I whipped out of a pub T rider coolin’ his heels in the shade. I did a demo right after that at Nick Gallo’s  Blue Rooster Art Supply where I met my grand niece Ariel for the first time. We went to The Hard Rock Cafe afterwards and I drew this elephant head she sculpted while she knocked out the sketch, to the right of the elephant, of me.




Pitt Brush Pens featured almost exclusively on these pages with a liberal addition of white China Marker. I like to draw over top of grease pencil marks with the Pitt pens, especially on toned paper as it produces a contrasting luminous effect.


The second image above, of the dude lookin’ dazed and confused, is my boy out there in the Bay, the Deacon of Dog Patch, Michael Recchiuti. If chocolate is your thing, Michael is without doubt your Messiah.

Taking in an early mornig pastry and a cup of hot coco at Piccino, a sweet little cafe and restaurant owned by two of Michael’s Dog Patch chums, Wayne and Sher.

Damn. I love Chicago but couldn’t we have at least one of these things within easy driving range? Drawn from top of the water tower in Seattle’s Volunteer Park in a Rhodia sketchbook with Pitt Pens.

Jennifer flippin’ thru a book in the top floor reading room of Seattle’s spectacular Main Library designed by Rem Koolhaus. Gray day or sunny, the light’s fantastic in this structure. I needed to spend all day on 2-3 drawings to really capture the airy grandeur of this building.


S P E D    D O W N   T O   P O R T L A N D



Shot down to Astoria where I demoed to a lively crowd at Dots and Doodles. Things got to moving rather hurriedly  at that point. Quick glimpse of a tanker on the Columbia drawn from the backseat of Doug’s car as we raced to make an afternoon demo in Portland. The next day I got shaved smooth as a baby’s butt by surfer/blade smith Elijah Mack.


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