Tagged: Pitt Artist Pens

Practice. It must be done. I was a weekly regular at area venues for drawing from life. For various reasons, I haven’t pursued the practice of drawing nude figures from life and it shows in some recent sketches. This 25 minute ink drawing in one of my many ledger books, was executed at a time when I was as relaxed while drawing as the model was during the pose. When figures are bundled in clothes the challenge is to indicate a figure beneath the cloth, and I always feel a little leeway in proportions so I tend to attack the page with more abandon. When the clothes come off, if I haven’t been drawing regularly I typically fret the proportions and contour accuracy and the drawings sometimes suffer from self consciousness with evident stiffness. I thought this would be a winter where I would concentrate on life drawing but……..things don’t always work out as planed.

Drawn with fountain pen filled with Iroshizuku ink and Faber-Castell Pitt Artist Pen.

Mid March snow storm that was quite captivating. Stayed indoors glued to my living room window mesmerized by the beauty. At times the curtains of snow were so intense all but the 7-Eleven building in the foreground disappeared into the white out. Temperatures had been in the seventies just days before. This building has been a bit of an eyesore, especially since the canopy of a large Elm that sprawled across my apartment windows was lost when the diseased tree was cut down, documented in an earlier post here at Butt Nekkid Doodles. Even when the temperatures slid down into the skin tingling single digits, I love living in the North for the varied displays of Nature’s seasons. This was drawn in a Tomoe River Paper sketchbook with fountain pens, a Pelikan M215 and a Faber-Castell Basic Black Leather, both filled with Platinum Carbon Ink, and a range of Gray Faber-Castell Pitt Artist Brush Pens, including the Big Brush White.

 

The incomplete graphic novella poetica. Hoping to complete it this Spring and publication by year’s end if not before. The drawings are 90% direct observation while out sketching in public and urban environments. The poetic text is mine. Medium in various inks and Ballpoint, fountain pens as well as  pigmented pens on several different stock, ledger paper, Tomoe River paper.

 

   

Recent addition to the dinning/cafe scene. Has good affordable food, including better baked goods tha the corporate alternative, coffee and tea and beer. Good daytime and nighttime lighting. Wifi. Comfortable seating for groups, communal arrays, and individuals at tall tables, lower dining tables and lounge seating. I’ve been hanging out here to much lately. The overhead potted lights create great light-dark contrasts. Varied crowds. Faber-Castell Pitt Pens of all sorts, different white pens and several fountain pens all using Platinum Carbon Ink. Strathmore a Tomoe River Paper.

Marshall

Broke fast at Prairie Joe’s in Evanston this morning. Caught Marshall at work behind the counter. Back from SCAD where he focused on sequential art, Marshall looks to ply his skills in tattooing if not animation. All the best young man.

There are faster mediums besids felt tip markers; watercolor, for one, can prove quite expedient in capable hands. But I return to ink not only because I love it’s presence on paper, that it’s minimal aqueous nature means I can give fairly heavy coverage without buckling and over saturating the paper, and the range just within the shades of grey, that lend dramatic value statements, plus the bold and subtle stroke potential can convey the mark vocabulary of medium such as charcoal, graphite and grease pencils, especially when working on on a wide array of drawing surfaces.

Over the years on this blog and in my posts on Facebook and other blogs, I have demonstrated that versatility especially when incorporating my hands to manipulate and broaden the mark making capability of ink mediums. When felt tip markers are combined with ink from ballpoints, gel pens, and fountain pens (a personal favorite) on paper where sizing and texture can be taken advantage of, the range becomes rich enough to suggest charcoal, watercolor, crayon, and helps articulate and imply surfaces as diverse as shiny metal, weathered wood grain, fabric, leather, beard stubble, satin shirts and silky hair.

I personally enjoy drawings that not only capture the look and feel of different surfaces and optical effects, but evidence the means by which the human hand plays a role in delighting and convincing the eye.

The above sketch, drawn from life, was executed with Pitt Artist Brush pens – Cold Grey IV, Warm Grey IV, Cold Grey VI, Black, and White. Fountain pens Pelikan M205 medium nib, Pelikan M215 bold nib, Platinum Carbon ink,  on a Strathmore tan sketchbook.

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