Tagged: Pitt Artist Pens

IMG_IMG_04810481   

What appears to be an orderly day in City Council Chambers was anything but. Momentous outburst and some heated speech spiced the days proceedings. Two main issues were if Chicago is to remain a sanctuary city and should hearings regarding police ethics and abuse cases be open or closed. WOW! The day had fireworks!
Chetanaé Ellison giving an impassioned speech about remaining a sanctuary city. Seated before her is retired CPD officer J.D. Anderson.
It was indeed a boisterous session with heartfelt and at times roughly expressed perspectives, but as each would want their chance to be heard, the reminder is that, that right need be extended to contrary positions. Messy at times for sure.
As Winston Churchill was found to say,”No one pretends that democracy is perfect or all-wise. Indeed it has been said that democracy is the worst form of Government except for all those other forms that have been tried ..”
Pitt Artist Pens and fountain pen w/DeAtramentis Document Brown ink on Hannem?hle sketchbook.

 
Revisions. “Work that page!!” I urge my students to make the most out of your sketchbooks and studies. This ledgerbook I’ve been drawing in since 2017 is getting worked over pretty thoroughly. I can’t leave alone pages of the quick 1-3 minute gesture drawings or sprints as I call ‘em. And if a figure drawing can’t stand on its own then I jump into any open space that begs to be assailed. Tends to keep things nice and loose. Robust. It’s a learning process in which I don’t want to be prissy or treat my studies as precious. The studies over the last 3 weeks of Elizabeth, Tor, Gretchen, and Bobby were slung onto sketches from 2017 and 2019. All done at the Palette and Chisel. I may like a figure but still feel the page needs work. Or, I may like a page as it’s developing but am disheartened by some of the studies. The first page, for instance, the drawing of the model on the step ladder irritated me for a few years and last night I dropped a pose of Bobby on it that I felt was one of my better studies this last month, and the gray background only served as a challenge to work highlights back into his shoulders and torso. The page of Elizabeth and Gretchen was fun and I liked the color play but Gretchen doesn’t look like Gretchen. And while I let go of getting a likeness if the structure and values and marks all add up to a well constructed head, but….I have drawn Gretchen scores of times and I confess, it bugs the bejezzus outta me that I miss the mark on her likeness. Maybe if I actually spent less time on the bloody internet and more time drawing.
      Consider me a devout practioner of pentimento and palimpsest.  sprawling the thought process out onto a page. 

As for medium used, all the usual suspects are here, fountain pens, Platinum Carbon and DeAtramentis inks, grease pencil, and Faber-Castell Pitt Artist Pens.

 
Caught some artists life drawing and sketching out and about.

Fountain pen and Faber-Castell Pitt Artist Pens on Tomoe River Paper and Tomoe River Paper.

 
Just as one would hope to capture the essential features of a car, or tree, building, baseball stadium, or someone’s home such that they could be identified by a person who hadn’t been present when the artist drew said thing, I try to “get essential features” of the people I draw, when out and about, so that you might gather important info about them. What I think of as “capturing fleeting expressions“ or “capturing the ephemeral”.

Maybe you sense gender, have a rough estimate of age, hair texture, ethnicity, or race. That they aren’t just a template, a simplified symbol for a human. Will I be able to set features and the ‘structures beneath their skin’ that their individuality might be evident and their identity known? And if I have even a modicum of time, can I give indications that they are cognizant, sentient people with expressions that give outward evidence of emotional states of ….say stress, anger, surprise, delight, or that they are concentrating, focusing, in the act of speaking, perhaps listening. Can I capture a sign they are thinking?

I’ve always done better when there were lots of features such as mustaches, wrinkles and weathered faces, prominent noses, or unusual hairstyle, less so if someone had simple features, smooth skin, button noses. Hence young children and babies vexed me. Young women were much more difficult than old geezers. With years of practice and concentrating on the goals stated above I’ve made strides, but them dang young kids still expose some of my shortcomings.

However, last week, on a crowded #22 CTA bus, I managed to get a young child taking a snooze in a stroller that surpassed the majority of years of attempts. There’s still hope for yer Uncle Darn.


Overcast day with rain in the forecast but I figured I’d go nab a quick study of the Lincoln Park Conservatory. Well, so much for the quick study. I admit at some point I thought,”Well, why not draw every blade of grass?” Seemed like a good idea at the time. I was able to include a bride having a photo session by the fountain. Weather intervened after a hour and a half and rain chased me into a cafe for about 30 minutes. A break in the rain let me return to add another 20 minutes before a light sprinkle resumed. I was still something around 1,500 blades of grass from finishing but who’s counting. Went home and used the bald patch for text. Still, enjoyed a prolonged loitering on a park bench.
Ink on toned paper.

 

  • Categories

  • Archives

  • Tags

  • blog links