Tagged: Pitt Artist Pens

 
Having gone to the Palette & Chisel for well over a decade, I’ve seen and drawn my share of models sitting in a chair with grey fabric draped behind them and way over lit. So I actually enjoy drawing the artists in the studio at work. They constantly shift, some leave early and I find the array and cluster of them far more interesting.
Draw with the usual tools I’ve been using for years.


Last night was date night with G Babe (second night in a row). We went to the Harris Theater to hear the Grant Park Orchestra perform Mendelssohn’s Midsummer Night’s Dream, Carl Maria von Weber’s Overture to Oberon, Ralph Vaughn Williams Serenade to Music, Shostakovich’s Suite from the Incidental Music to the film Hamlet (WOW!! I enjoyed this the most of the evening’s offerings), and Tchaikovsksy’s Hamlet Fantasy Overture after Shakespeare which conductor Carlos Kalamar introduced by saying,” after you have had your fill of a big meal, sometimes you’re in the mood to have a big piece of chocolate cake, with lots of whipped cream.”
I managed a few sketches throughout the concert. Which, included the couple in the row before us. The lady in the hat appeared most drowsy and even let her head sag onto her companion’s shoulder while resting her chin on the palm of her hand. Given the way her mouth drooped open I feel confident in posting that my subject took a kitty nap. Yeeeeesss you did dear. YES YOU DID! Disinterested or exhausted from a fatiguing day taking in the delights of downtown Chicago, and a flute or two of Prosecco, (I’m permitting harmless speculation here), our patrons of the arts chose to leave early. Harrumph! They didn’t even make it to Mendelssohn’s rousing Wedding March!!!! Not to mention Shostakovich truly fabuloso ????????? !!!! film score.
Well, me and the G Babe, and the bald dude two rows in front of me, as well as the stylish lady (more speculation) with the satin top and page boy haircut more than made up for our tuckered twosome in enjoyment. Props to the seasoned cellist in the orchestra.
 
Faber-Castell Pitt Artist Pens on Japanese Mulberry paper in a sketchbook made for me by Eugene Wooddell Jr. I especially like the new Fude nib Pitt Pens which have a bit of flex to them and were used for all the contour work.

 
Surgery to remove kidney stones kept me from traveling to Italy with my wife. So it has been me alone to warm and miss the bedsheets. This coming Wednesday she returns and a good case of jet lag should mean I will capture her recharging her batteries and catching up on dream time.
Drawn with an Essentio fountain pen, DeAtramentis Document ink, and Pitt Artist Pens on Japanese mulberry paper in a sketchbook handmade by Eugene Wooddell Jr.


A return to Rush Hospital Human Anatomy Lab after a three year hiatus due to the pandemic. Excited to be back at this remarkable facility thanks to the interest and generosity of Rush and Dr. Chris Ferrigno.

During the interim I contacted Coronavirus and lost my sense of smell. It’s been a year plus and I have regained a fraction of my capability to detect smells. As a result, the nostril shocking smell of formaldehyde was at a bare minimum. So, there’s an upside to infection???
Faber-Castell Pitt Artist Pens on Hanemühle Cappuccino paper.

A Return To The Rush Cadaver Lab

  1.  Had a fun time out with the Every Other Sunday drawing group today. We went to the Chicago Cultural Center and focused on The newly restored hall and rotunda, originally designed by Shepley Rutan and Coolidge; the 15.4 million dollar renovation was lead by Gunny Harboe
    WHY: A prime example of superior architectural ornament, the space is loaded with meaning. Additionally, some of the work was restored using photos of the original and creating 3-d printed copies!
    I’ve often preferred to hang in the fabulous South Hall so today I was fired up to give the north hall it’s due.

 
Fountain pen, DeAtramentis Document Brown ink, Faber-Castell Pitt Artist Pens on Tomoe River Paper.

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