Tagged: Platinum Carbon Ink

 

Ever get that feeling you’re being watched? Sometimes, as I’m drawing someone, they look up and gaze around, and then return to what they were doing. I’ve had my subjects look up from what they were doing to stare directly at me. Do they have exceptional peripheral vision or do some folks actually possess a sixth sense?

the band members, especially the bass player and the drummer kept looking in my direction and later informed me that they weren’t sure what I was up to. Once I showed them the sketch they were pretty delighted and the rest came over to check out what I did. Above, the man with the plaid shirt and cup with straw never looks my way.

Fountain pens filled with either DeAtrementis Document Black or Platinum Carbon Ink, Pitt Artist Pens on Romeo unlined Ivory journal.

 

Wednesdays and Saturdays farmers and bakers from Illinois, Michigan, Wisconsin, and Indiana bring their produce and products to Lincoln Park for the Green City Farmers Market. I’ll soon be living a 5 blocks walk from this great asset that not only provides great produce but terrific sketching opportunities as well.

Made use of Pitt Artist Pens, Fountain Pens, Platinum Carbon Ink, deAtrementis Document Black Ink, on Hahnemühle Cappuccino and Watercolour sketchbooks, Stillman & Birn Gamma Series sketchbooks, Clairefontaine Goldline Watercolour sketchbook.

 

In the cold grey of winter it’s appealing to work from nudes modeling the warm glow of the flesh.

  

Drawn with fountain pen, Platinum Carbon Ink, F-C Pitt Artist Pens on Tomoe River Paper. The last 2 were drawn with graphite. » Continue Reading…

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Flew to Italy on Xmas to join my beloved Giamila and her family on the Ligurian Coast at the beautiful town of Sestri Levante for eight days and then travel together by train back to spend 5 days in her hometown of Milano.

Giamila, her mother, father, brother and sister-in-law had already taken a train to Sestri Levante, so when I flew  in to Milano, I had to hop on a train that took me into the main train station, Milano Centrale where I then boarded another train for a two hour plus ride to join up with them. As I speak no Italian, Giamila taught me a couple phrases to aid me in finding the right train. “Scuzi, dov’é il treno per La Spezi”?

Being that I hadn’t switched to a European SIM card in my cell phone, if I headed off in the wrong direction, it would have required some serious focus on the part of a traveler who didn’t sleep on the 12 hour trip from Chicago to Italy to get back on track.

All worked according to plan and Giamila met me with huge smile and warm embrace at the train station of a glorious seaside town whose views, baked goods, and seafood were off the charts.

The above drawing is an imaginary landscape drawn during the train ride,  the very smooth train ride I might add, back to Milano.

    

Drawn with Faber-Castell Pitt Artist Pens, fountain pens, Platinum Carbon Ink, in Hanemühle, Tomoe River Paper, and Stillman & Birn Nova Series sketchbooks.

 

It’s been awhile since I posted some of my life drawings, January was the last installment so, without further ado, bring on the butt nekkid parade.

      

The above drawing is probably a 3 minute sketch. It ‘s not a slap dash piece, it may happen fairly quickly but is also methodical. I lay in a few contours and tonal shapes with a flesh tone Pitt Big Brush, restate contour lines in a darker brown, and then drop a bit more flesh tone to bring out the light/shade contrast. A few quick strokes to denote ribs and the model changes posture, but not before I’ve established the posture’s key structural features (minus one leg) and an indication of light source with an emphasis on the implied contour of light-shadow transition, and a couple nods to specific detail, I.e. the face, the elbow, the left hand and wrist band.

            

 

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