Tagged: Stillman & Birn

 

The work continues. I didn’t want it but that’s besides the point now. It is fascinating to watch a construction site from such a vantage point. I haven’t asked for permission, and doubt that I’d get it, to don a hard hat and get on site to draw. There’s been such an array of Earth moving equipment and now as you can see from the sixth image below, they have started building the central tower for the main crane.

All drawings are with Faber-Castell Pitt Artist Pens on either Tomoe River Paper, in a Moleskine Watercolor sketchbook, or in a Stillman & Birn watercolor sketchbook, or a Hahnemule sketchbook.

 

 

 

I’ve had an unusual and superb vantage point of a demolition and construction site which is directly across the street from my apartment. Never having watched a site from start to finish before I have been surprised by some of the developments. Upon demolishing the existing structure seen above in a snowstorm and just below that at night, the rubble was separated into different materials, i.e. bricks, the reusable ones were stacked on pallets and wrapped, banded and carted away for reuse. Metal materials were hauled away then general rubble was removed. But one of the biggest eye openers was the digging of roughly twenty 25-30’ cylindrical holes that had rebar cages inserted before being filled with concrete. Then, these concrete columns were covered up with the heavy equipment moving to dig the next holes.

 

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drawings executed with Faber-Castell Pitt Artist Pens and graphite on Stillman & Birn Nova Series Toned sketchbook, Tomoe River Paper.

 

 

 

Spent a solid month trekkin about the West coast and sat on my duff for a goodly number of hours. It’s the sort of thing that puts demands onyer fashion choices, ie comfy britches with a properly deep inseam and good travel shoes.

  

 

The lanscapes below were draw from a bus. The one with the birds on the telephone lines was a 15 minute sketch at a rest stop in southern Oregon, the others were enroute at 60 mph.

 

All drawings executed with ink, fountain pens, Pitt Artist Brush Pens, Platinum Carbon Ink, in various hbooks, Rhodia, Moleskine, Stillman & Birn, Tomoe River Paper.

After a family reunion in Charlottesville, I rode Amtrak to Philadelphia. I think I drew the City Hall tower once before but no idea where that drawing is.

Got in a brief neck-craning sketch of the Philadelphia City Hall tower. The largest city hall in the country btw. And then as I walked through the outside passageway, I took up a position behind a young man playing the violin. Samuel noticed I was sketching him and told me he is learning on his own as he is no longer taking lessons. He also stated he was delightedly surprised to see I in fact got him playing southpaw, which he is. Normally, he has been drawn as a righty. Whaa…? Play on brother.

Pitt Pens in a Stillman & Birn Gamma series sketchbook.

Cali Zephyr

Passengers on the Fall Trek. Above, a very nice gentleman gets his first look at the Rockies.

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Amtrak, Metra, CTA, Megabus, Trailways, Uber….as long as my hands aren’t glued to a steering wheel, I’ll make my way around the country and fill my sketchbooks. Fountain pens, juiced up with Platinum Carbon, Pitt Artist Pens, grease pencils, aka the white China markers, ballpoint, the rare color pencil, gel pens, whatever, in ledger books, watercolor pads, Stillman & Birn, Strathmore, Clairefontaine, Tomoe River Paper and then some. Drawing from life, from nudes, landscapes, urban environments, transit passengers, dead animals, cemeteries, laundromats, drawing out of my head and out of my mind….just answering the calling and feeding the obsession.

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