Trying to stay in the fray. Out drawing a lot in cafes and at life drawing sessions. Felt a need to bring back a little color after working with predominately blue and black. Maybe that sparked me a bit as and I responded last night with some of my more relaxed nude sketches. Earlier work this month is in black and blue. Did take color pencils out with me but have too much fun with fountain pen and Pitt Pens.
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OK, so not every drawing comes off so well even on a “good” day, even when you may have a good start. In the drawing above of the seated nude female, I was excited about a really fun pose with good props, I had 25 minutes and I decided not to play it too prescious. It doesn’t really destroy me if I don’t catch an accurate likeness as long as the features are structurally sound and/or the drawing has appeal be it vigor, compelling line work, something to hang your hat on, right. Well, this draw comes apart for me a number of ways but none more irritating than her right arm. Especially from the elbow to the knuckles, it feels wooden. Forearm is too short and there’s no suppleness. And it’s right smack dab in the middle. A couple days later, I got the color drawings at the top which I was much more encouraged by. I love the craft and fully appreciate the slippery nature of the command of it.
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Visconti fountain pen w/ Platinum Carbon ink
Argo Tea
Cool Daddio readin’ the paper
problem solver
Got into a life drawing session Friday nite with mixed results. I’ll post those later. Wanted to get several quick studies of the fellow with long hair reading the paper but people kept sitting in front of me blocking my view. Still running into problems trying to get the web page to look as I wish. Graf von Faber fountain pen, Noodler’s Ottoman Blue Ink, Pitt Artist Pens, Visconti Fountain Pen, Platinum Carbon Ink. Working in an old ledger book given me by Louisville Ed. Big and roomy, perhaps a bit awkward drawing in tight public spaces like a bus or the orchestra, but it’s best attribute is how impenetrable the pages are.
Headed out across the country for my Fall tour on September 10th. Denver was the first stop. The above statue is dedicated to the 3,000,000 young folks that worked in Roosevelt’s “Tree Army”, the Civilian Conservation Corps. 55,000 worked in New Mexico alone. When you hear the mantra that government is the problem, not that it can’t be problematic, and that business and the “market” will be our salvation, business was slow in coming to the rescue in the 30’s in this country. If the market is so dependable, why did 3,000,000 Americans feel a need to trek off into the outback with shovels and picks? Just a Thoreau like need to get back to nature?
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Got to Denver 9 hours before my bags, compliments Delta. Knew it would be tricky when my flight schedule had me landing in Minneapolis for my connecting flight at 4:35 PM and the flight to Denver boarded at 4:35 PM. we landed 18 minutes late and a mad dash to the next gate just got me in before the door closed. Once in Denver, got off the bus from the airport and thanks to the kindness of strangers, made it to the ballpark where I met Tim. Tim provided the lift in his pedicab to my hotel while holding a running conversation about things Denver, etc. Worked a demo the next day at Meininger Fine Art Supply, the oldest in Denver, and many parts West for that matter. Henry Meininger’s grandfather opened the store 132 years ago and has provided quite the slew of artists with gear including Charles Russel and Frederick Remmington.
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That’s Judd Meininger, great grandson of the original owner of H.R. Meininger Fine Art Supply, and wife Olivia, takin’ in a Colorado Rockies ballgame and a strip of chocolate covered bacon. Hell yeah I had a bite. Judd is quite the omnivore and a fired up cat with a vigorous appetite for life, period.
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