Tagged: grease pencil

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While I love drawing out in public and capturing spontaneous events, a practice that helped me when I went into court and drew the proceedings for a local media company, The environment is dynamic and shit don’t hold still. But, if you happen upon someone overcome by exhaustion or boredom, their catnap becomes your opportunity to record a very natural moment where the subject isn’t posing, self aware, tense, or twitching, given to nervous movement or distractions. They may still be restless in sleep and adjust them selves automatically for comfort sake, or stirred by dream anxiety, but, you can get several minutes of fascinating pose or expression. My usual custom applies where I take advantage of the several pens I carry so that I can go from detail to broad areas and back to specific features. Given how the paper is reacting I may use Faber-Castell Pitt Artist Brush Pens, fountain pens of which I like, Pelikan M215, Pelikano Juniors, Sailor 1911, Lamy Studio,Graf von Faber-Castell Guilloche and Classics, Namiki Vanishing Point, Namiki Falcon, Saior Brush Nib fountain pen, any of which could have a fine, medium, or broad nib, the broad being my preferred. I also make use in toned paper of grease pencils aka White China Markers.

The sketch books I enjoy vary considerably and while I tend to prefer smooth or hot pressed surfaced paper I occasionally will turn to more textured pare such as water colored paper for the attributes it brings in surface and absorbency. Some of those books and pads are, Strathmore tan and grey toned hard bound sketchbooks, ledger books – those lines don’t bother me, Moleskine watercolor sketchbooks – the only Moleskines I bother with, Seven Seas River paper – great pad, lousy binding, StillmN & Birn Epsilon Series – the bound, not a fan of spirals, and A sketchbook, name unknown, that uses a renewable source called Lakota from Nepal.

Rarely if ever have I used graphite in sketchbooks for some forty years now, I have used Faber-Castell Aquarelle graphite and do like the intensity you can get in the washes of this very beautiful water soluble medium. Mostly, primarily, preferably, I use ink. Ballpoint pens were the go-to tool for years by in the last decade and a half I use brush pens or fountain pens and in those the inks I like are Platinum Carbon which sets up so you can apply washes over you line work. I also like some of the Noodlers Bulletproof inks though they release a bit depending on the paper being cellulose or not. I also like Irishuzuku inks tho they are not water proof they are gorgeous inks with lovely flow.

chillin'

In between getting advice on my I-pod and computers at the Apple Store by the North & Clybourne stop and heading to a catering gig, I sat down in the Plaza by the Apple Store/N&C Red Line stop to cop a sketch of this smartly attired dude coolin’ his cowboy boot clad heels. Pitt Pens, Namiki Falcon, and grease pencil in a toned Strathmore sketchbook.

Franz draw

Good news at last. Upgraded the camera I use to take pics of my drawings which will mean higher res. For the last year and a half, perhaps more, since my scanner went ka-blooey, I’ve been photographing the drawings with a an i-Pod that while convenient was low res and so the drawings came out a touch fuzzy. Better definition will mean sharper, prettier images with more information so you can better evaluate the tools at work and the paper in use. It’s been too long in coming and I do apologize. I’ll replace the above image of Franz Spohn drawing soon as the new camera is all set up.

street artist

Came upon Florika on the way to a catering job in the Loop. About 45 minutes, Pitt Pens, including the Pitt White, and a touch of grease pencil on Strathmore toned paper.

viag tri photo-671 photo-667 photo-669 photo-670 cluaus de werve photo-676 photo-675 photo-674 photo-668 photo-666 photo-665 photo-664 travelers  waitin'  MOCAC straight on

badger diorama

conservatory Willis Tower Chicago Red Line Station Union St Pitt Evanston nu build pitt crib view

view from Foster lf view from foster rt linc prk Bell interior Davis station Roberts Bridge

No Nudes, decided to feature some buildings as I’m preparing for the Chicago Urban Sketching Seminar in June. With the turn in the weather, drawing outdoors became less demanding. Worked on drawings with Pitt Artist Pens, fountain pens, grease pencils,

Oxbow photo-527 photo-529

Swung into California, SFO to be specific, and headed by bus to Napa catching the young fellow above napping en route. He later awoke to see me drawing and commented favorably on my drawing. Owner of a landscaping business and a super nice dude. Glorious weather, and made a culinary discovery that could turn things around for many friends of mine who dislike raw oysters. Grill ’em! Came upon them at Hog Island Oyster Company in the Oxbow Public Market.

Napa across from Flax SF

Pasadena City Hall Little Dancer

Gear used: grease pencil, Pelikan M215 (which I have since lost), Pitt Artist Pens, other fountain pens, ledger book, Moleskine watercolor sketchbook. The value of pens lost on the road is getting to pile up. I might be nearing $2,000 just in lost fountain pens. The drawing of Degas’ Little Dancer was done in the Norton Simon Museum in Pasadena.

Gary Torres  Steve Saitzyk Amara

And yes, that cup of chocolate was decadent and nearly thick as pudding.

 

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