Tagged: ink drawings

Hand to chin

More head studies from the last dozen years. Most drawings are on ruled paper and in ledger books drawn with a wide array of inks. And, while a couple of the drawings are from my imagination or after photo resources, the majority where drawn from life.

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Sheen

This week, I’m throwing up a collection of head studies and anonymous portraits captured while drawing in public, largely on public transit.

Cafe dude image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image image

Making use of the same tool kit I have worked with over the last few years. Fountain pens such as Pelikan M215 and M250, Faber-Castell Basic Black Leather, Sailor Bent Nib, Lamy Studio, all filled with Platinum Carbon ink. Don’t forget to rinse you fountain pens out on a regular basis, say 2-4 weeks. And, I make use of the full range of F-C Pitt Pens, all colors, all greys, and the whole variety of nib widths. And yes, those are my fingerprints, it’s automatic copyrighting.

Nude Dude

Catching up with posting some of the drawings from the last 3 months. I haven’t been keeping a regular practice of drawing from nude models and I think that shows at times in the uneven examples of trying to get a worthwhile drawing in 25 minutes. The drawings. Are usually executed in the Faber-Castellated pigmented Pitt Pens that have been my workhorse in addition to fountain pens. The models asymmetrical eyes bug the shit outta me but that’s all in the realm of spontaneous drawing with no erasure. I truly enjoy and value working that way but one is guaranteed to get the bloopers that torment, but may in time inform and alert one.

the drawings of the male with the staff were draw ar Forestall Art Center in Birminham, Al. Long time favorite Melissa modeled out in Wheaton. The male model below posed at San Clemente Art Supply.

Relaxed bulge Support  Miss M Pony tailed AlternatorBackSan Clem 1 San Clem3 San Clem 2 Twins

The gentleman above was captured as he drew Melissa. I’m pretty inconsistent in getting a likeness, but I was on the money in the version on the left. He was quite intense in his gaze. Holding you sketchbook thus while drawing for 25 minutes isn’t the easiest thing to manage so he constantly shifted his weight and posture and made many raptor-like faces. On the right, I lost the feel of him and rounded his features a bit, also clipped his nose a tad and pulled the cheek crease from his nose to far into the lateral plane of his face. That was enuff to loose the likeness. Oh well…

Drawing the Bahd

Pose3

In need of some life drawing on an unseasonably warm mid December eve, I went to the old haunt, Palette & Chisel.

Boot & reclinee a Pose 1 Crossed arms Pose 5 CTA doos

Drawn in a toned Strathmore sketchbook and a lined Paper Blanks journal with Faber-Castell Pitt Artist Brush Pens of various nib sizes.

Flesh Time @ the Palette & Chisel

Mega Mom 1

In to the Twin Cities for demos and the Minnesota State Fair. Packing plenty of drawing gear though I’ll be working in monotone, may regret that decision when I come face to face with the butter sculpture exhibits.

Bus queue  M M zzzzzz #84 Dough-sant Honey chef Marge's Cookies Dwight & Polly Lunch counter Butter Queen Cap'n Jack

I’ve gone to the Minnesota State Fairgrounds previously, to the Spring Comic Con when that was the only event and it was held under the grand stands with the rest of the huge fairgrounds empty.  So to attend this massive festival when the grounds are swollen with    hundreds of thousands of people and livestock was transformative to say the least. I managed 11 hours over 2 days and only work and a need to return to Chicago are keeping me from another 20 hours there. Fried foods were King and got in line more than twice for examples of that fare, hot mini doughnuts and fried doughnut shaped croissants were good enough for second helpings if I had broken prior agreements with self. A highlight of my facestuffing was a moist, grilled pork chop on a stick; the first fatty bite was the booster that sent my buds into orbit. I missed out on a single onion, cut into a flower shape, battered, and deep fried with a blue cheese dipping sauce that would had commanded an hour long shady nap on the grass, harassed, I’m sure, by fat fueled dreams that collaged battered farm animals and varicose varmints of all sorts.

Math exhibit Mike at work  Jim Brasa

Drawn in a Rhodia lined journal, using Pitt Artist Pens, Pelikan M215 fountain pen, Faber-Castell Basic Black leather f.p., Sailor bent nib f.p., Platinum Carbon ink.

 

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