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Early drawing by Egon Schiele
So, how was ’09 for you? It was productive in a sense for me in that I drew reams of studies, but in many other ways it was quite an ass kicker. I hope y’all are hanging in there money wise. It seems that there’s been a shortage of wise handling of money, and the art market is seriously hobbled but squeezing thru tough times is a hallmark of artists, so, onward, into the fog.
I try to make the New Year’s Day life drawing marthon, 7 AM – 7 PM, at the Palette & Chisel but jobs kept me away again this year, so I’m posting some stuff from years past. Oh, and the last drawing is for Rich, who can’t understand why so many of us revere Egon Schiele. Rich, a nice enough guy who comes to many of the sessions, feels you can’t really draw if you don’t master realist rendering and proportion and yadda yadda…. Well, Rich, how’s this?
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the black wig
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a page from around 1986
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A page from 2006. 3 years later no pepper’s left on the chin.
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A page from 2006
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Sulzer Library, a favorite haunt.
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The cost of Public Transportation?….Priceless.
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model Dana and artist @ Palette & Chisel
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The fellow at the top left his helmet on the entire time he ate lunch.
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My very beautiful and very shy girlfriend, Jenny.
My final entry for the year 2009. I found myself a bit in the ditch this year as far as producing finished paintings and pieces of a more ambitious nature. Thanks to my lucky rabbit’s foot for sketchbooks; wherein I have prroductively and theraputically dwelled. Had to move in the middle of the year to save some dough and though that was disruptive I wound up with a studio that is larger, brighter, and more comfortable. In a year when I had no sales and no shows outside Chicago, I finally discovered this thing called a computer that gives one access to a very big stage indeed. And thanks to my bodhisattva, (a dude named Dave Harrod, who set up my website and has continued to assist and counsel me on the mysteries and operation of this binary beast), I have seen unimaginable hours and rivers of tears swallowed by the learning of new tricks by an aged and curmudgeonly dog.
I have also trolled the internet and websites of others relentlessly and am here to say that drawing and the flourishing of eye poppin’ sketchbooks is very much alive and thriving. As I have stumbled into others’ sites, so too have others found their way to mine. Here I’d like to give a shout out to one Clive Powsey, one humble and gifted artist in the wilds of British Columbia whose acquaintence would not have been made without the internet and who has been both helpful and incouraging as a kindred spirit best can. Check him out.
My dear friend and partner Jennifer has been patient in Biblical proportions as her “old school” housemate has wrangled red-faced and blue tongued with the lessons of the new-fangled text book. To the rest of you who’ve saved me from auto strangulation with timely encouragement and technical assistance, my mother thanks you.
See you in the new year. W.Y.A.O. Thanks for stopping by.
My life drawings have been annoying the crap outta me lately. The next 2 drawings were the best I could do from another frustrating session at The Drawing Center. The “Season” is upon us and we who are catering are grabbing all the gigs we can before the ass falls out of the business once the New Year arrives. Winter is bleak on the wallet. I haven’t been to life drawing much for weeks. In fact I haven’t seen much of the studio for. . . . don’t wanna say. So I just threw up a bunch of pages from sketchbooks past. The second row below begins with a spread from one of my sketchbooks from 1989. The other pages are outta books from 2000 to 2004. They comprise drawings done in transit of commuters, ideas for paintings, or prints, or announcement cards, what have you.
The drawing 4 rows below, first column, was done while watching Pirates of the Carribean with my friend Eli and his family. It’s a sketch of his daughter K.R. holding Jack Sparrow at bay. There’s a study of Monte Beauchamp, publisher/editor of BLAB! mag, graphic designer extraordinaire, and bon vivant, holding a pose for me with a bat clutched in his meathook. He’s a real sweetie-pie, but I know enuff about his past to exit thru the window if he ever saw fit to snatch one up in ernest. Then there’s a number of studies of Rumsfeld, Putin, Jeff Skilling, Dick Cheney and some other mean motherfuckers garbed up like clowns. The one after Rumsfeld is from a photo where he’s draw his gnarley fist up close to that squinting grin he used to flash so often.
Eight rows down, middle panel is a doodle from 2001 of Cheney and others enjoying some gun play with pistolas and shotguns. Who couldn’t have seen that episode down in Texas, where he drew a bead on his friend’s face, coming from miles away? Colorful man. I used various pens and inks on that page, but he was done with an Kuretake bristle brush, India ink cartridge pen. The paper in that book is handmade Lokta parchment. Beautiful texture. Kinda of like old weathered skin. The back of my hands are looking more like it every day.
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Staedtler Mars 3000, notable nonwaterproof evidence on gutter
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Pitt Artist Brush Pen
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Faber-Castell Pitt Brush Pen
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Mitchell brass nib pen and F.W. acrylic ink
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Kuretake bristle brush India ink cartridge pen
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Ballpoint
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India ink, acrylic ink, and ball point, kuretake brush pen
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love that purple ballpoint