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Early drawing by Egon Schiele
So, how was ’09 for you? It was productive in a sense for me in that I drew reams of studies, but in many other ways it was quite an ass kicker. I hope y’all are hanging in there money wise. It seems that there’s been a shortage of wise handling of money, and the art market is seriously hobbled but squeezing thru tough times is a hallmark of artists, so, onward, into the fog.
I try to make the New Year’s Day life drawing marthon, 7 AM – 7 PM, at the Palette & Chisel but jobs kept me away again this year, so I’m posting some stuff from years past. Oh, and the last drawing is for Rich, who can’t understand why so many of us revere Egon Schiele. Rich, a nice enough guy who comes to many of the sessions, feels you can’t really draw if you don’t master realist rendering and proportion and yadda yadda…. Well, Rich, how’s this?
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a couple pages from 1991. ballpoint and collage.
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Roller Derby gals vamping it up.
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like the contrast between her hairy legs and the satin slip.
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Elizabeth
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Played the accordian after modeling for us.
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Kathy
The top 2 on the left are from different books by the same company. I know they’re gonna burn themselves up one day, but I love how they “bronze” like a meerschaum pipe. That’s Claudia at the top right, draped like death, or a pair of coveralls, on the model stand. I’m hit or miss when it comes to facial likenesses, but the drawings across the 2nd row of 3 different women are all in the neighborhood. Horseshoes, hand grenades, and the occassional portrait.
I occassionally return for a visit to Philadelphia, and when I do, I go to life drawing sessions at a few venues with Matt McGoff, a friend of mine who’s a very good painter and vigorous draftsman. The 2 models in the opposite corners of the bottom row, were drawn at The Fleisher Art Memorial. The figure on the couch, smack in the middle, was drawn at The Woodmere Art Museum. I’ve posted drawings previously from The Sketch Club, also a venue we like in Philadelphia.
I’m often running off the page with the figure, but I managed to get all the figures in black and grey tones completely within the perimeter of that particular book. That ledger book was a gift from Tony Fitzpatrick, as was the one in the middle of the top row, and at 10 1/2 ” wide and 17″ long, was too big for my scanner.