Buttnekkiddoodles

                              

While I love drawing out in public and capturing spontaneous events, a practice that helped me when I went into court and drew the proceedings for a local media company, The environment is dynamic and shit don’t hold still. But, if you happen upon someone overcome by exhaustion or boredom, their catnap becomes your opportunity to record a very natural moment where the subject isn’t posing, self aware, tense, or twitching, given to nervous movement or distractions. They may still be restless in sleep and adjust them selves automatically for comfort sake, or stirred by dream anxiety, but, you can get several minutes of fascinating pose or expression. My usual custom applies where I take advantage of the several pens I carry so that I can go from detail to broad areas and back to specific features. Given how the paper is reacting I may use Faber-Castell Pitt Artist Brush Pens, fountain pens of which I like, Pelikan M215, Pelikano Juniors, Sailor 1911, Lamy Studio,Graf von Faber-Castell Guilloche and Classics, Namiki Vanishing Point, Namiki Falcon, Saior Brush Nib fountain pen, any of which could have a fine, medium, or broad nib, the broad being my preferred. I also make use in toned paper of grease pencils aka White China Markers.

The sketch books I enjoy vary considerably and while I tend to prefer smooth or hot pressed surfaced paper I occasionally will turn to more textured pare such as water colored paper for the attributes it brings in surface and absorbency. Some of those books and pads are, Strathmore tan and grey toned hard bound sketchbooks, ledger books – those lines don’t bother me, Moleskine watercolor sketchbooks – the only Moleskines I bother with, Seven Seas River paper – great pad, lousy binding, StillmN & Birn Epsilon Series – the bound, not a fan of spirals, and A sketchbook, name unknown, that uses a renewable source called Lakota from Nepal.

Rarely if ever have I used graphite in sketchbooks for some forty years now, I have used Faber-Castell Aquarelle graphite and do like the intensity you can get in the washes of this very beautiful water soluble medium. Mostly, primarily, preferably, I use ink. Ballpoint pens were the go-to tool for years by in the last decade and a half I use brush pens or fountain pens and in those the inks I like are Platinum Carbon which sets up so you can apply washes over you line work. I also like some of the Noodlers Bulletproof inks though they release a bit depending on the paper being cellulose or not. I also like Irishuzuku inks tho they are not water proof they are gorgeous inks with lovely flow.

Always try to have an auspicious start to the year by getting to the Palette & Chisel’s 12 hour New Year’s Day Life Drawing Marathon. Hadn’t drawn much in the week that led up to this much anticipated event. Shook some of the rust off .

   

     

Headed out with a large ledger book and a new sketchbook, a Seven Seas Tomoe River Pad – the paper I’m most excited to draw on. It is a very thin paper that holds an edge when drawn on with fountain pen and Pitt Pens, and doesn’t bled. Quite remarkable for a paper as light weight, just a bit more substantial than onion skin or tracing paper.

 

Added the last few from the latest visit to the Friday night session. Wicked cold outside and I was having a lousy time warming up my drawing skills despite having gotten a nice very rapid sketch of a passenger on the way to the P&C(just below). Preoccupied with too many other pursuits and not drawing as regularly as I’d like and I’m lacking a fluid feel much of the time.

Have been working with Platinum Carbon ink in the fountain pens with very little exception and not being that diligent about flushing or cleaning some of the pens that regularly. Not to many issues. The Sailors and the Pelikans pretty much flow whenever I put the to pad. Had a bit of an issue with one pen but that may have been due to sub zero temps here in Chicago.

View from 14 floors up of the Horseshoe Falls. Pure Glory. Drawn with a fountain pen juiced up with Platinum Carbon ink, and using Faber-Castell Pitt Pens in a Moleskine watercolor sketchbook.

Vintur ist icummin in, lowdly sing the thrush. It’s here for real. Maintaining a regular practice of catching scenes and studies in public, in coffee shops, eateries, and on public transit systems.

            

Man, while I love the Southwest and south and central California, I have to live somewhere where snow is a winter feature. Even if it is wickedly cold as has been the case here in Chicago this year. One of the more brutal winter’s in the 15 years I’ve made my residence in the Midwest. I have a super warm and cosy apartment and I know how to dress for it even though I damn near lost my dick to frost bite one night while tromping for 20 blocks in 20 below zero weather. Last time I head out with boxers on. But the weather here has been beautiful and the feeling of living on the edge of climatic habitability gives one a sublime sense of the amazingly special place in this Universe we call home. Don’t know if y’all are getting a little bored with the usual drawing tools and predictable line quality, but I have been thinking about changing to bristle brushes or something a little bolder. Platinum Carbon ink in fountain pens, and Pitt Artist Pens in one of my favorite ledgerbooks to date.

Following my New Year’s Day ritual of a decade, I opened the new year by attending the 12 hour life drawing marathon at The Palette & Chisel. Nothing like bare flesh to knock the cold outta yer bones in the depths of winter.

  

I’m loving the way this ledger book is taking ink. It has a fairly long delay before the ink is absorbed so it’s easy to smudge and blot the ink to create tone and finger print textures. The fountain pen I’m getting considerable use out of is a broad nib Graf von Faber guilloche. The Pelikano Junior made it’s presence felt to a good extent also. Pitt Pens, Platinum Carbon and Noodler’s Ottoman Blue are the inks. While I was drawing the reclining model titled “Blue Nude”, I had black ink on my fingers from drawing in black on the previous poses so when I wiped the ink on her leg as it was drying, it turned the blue a dingy color.