On the grounds of Quebec Provincial Parliament, drew two toiling figures from Honoré Mercier’s monument. Mercier was a lawyer, journalist, politician, francophone, leader of the Quebec Liberal Party and ninth premier of Quebec. Well, of course we expect liberals to be champions of the working folks, especially those who toil in the fields and bring us our food. But as you see below, the fascists felt they had pull with the very same crowd.
Turns out, the Mormons chose to applaud the same honest folks of the soil. To wit, a statue in the Utah capitol in Salt Lake City. Notice the bee hive cradled by the gentlemen. That’s their symbol for industry. Busy as bees. Idle hands are the devil’s workshop it is said.
Oh there’s more to it than that, in young countries, new states, huge countries with large agrarian tracts and burgeoning mouths to feed, new arrivals were welcome. Check out another statue in that same state house.
Yep! Welcome them newcomers. Bring us them tired poor yearning to be free and hankering to start fresh with a hungry work ethic. Well, we’ve seen what become of that unfortunate message. Canada’s prime consideration now is the size of the new applicants wallets and if you have specialized skill sets and educational pedigree. And their haughty neighbor to the south is no nobler, trying as they are to round up the very foreign born workforce union busting businesses are quietly encouraging. Quietly so they don’t run afoul of their angry political constituents who’d like to see our southern border bricked up solid. There just might be a Great Wall for sale in China.
And then of course, any country worth its salt will promote the education and cultural enhancement of its citizens, both longstanding and newly arrived.
Again, even the Fascists seem smitten with the notion of nurturing young minds.
Although a quick look at this pre WWII building from Mussolini’s reign could leave one unsure of the nature of the nurturing, and a suspect notion of the subject with which whom is smitten.
It seems all governments rush to extol their virtuous and historic accounting of noble intentions. The arts even get a slap on the back as long as their leash is short and their creativity finds its way to ad firms with a gimlet eye for well heeled clientele with a product to pitch.
Let’s have a look at dynamics useful in moving any great, ambitious nation forward. You know, building stuff. Useful stuff, and figuring out how to make grand projects, and new cool stuff. How to make better, and bigger stuff than your competitors. Well sir, you might just be talking about Science, Engineering, Architecture, Mathematics, Biology, Chemistry, Physics, and other learned kinda stuff. How things work and how to make it all work better. Grow faster. Fly faster. You see where this is going. Check out my man below with the telescope. A visionary, looking beyond the local realm.
Now if we’re to tell the whole story, you gotta keep in check those who’d try and abscond with your cool new stuff, your good ideas. And maybe, someone’s got something you need to make your stuff better. But, they don’t wanna share it. Well, that’s where these guys come in.
And they just might have to do THIS!
Boy howdy!!! Who’d wanna keep doing that?
Well, you’ll need to come up with something persuasive. Something that not only show real gratitude, for like, your dangerous toil and maybe even ultimate sacrifice! But to let you know, you’ll be taken care of, real good, and for like, all of eternity.
So we kinda come back around in a way to the original statue where that hunched over woman looks to be working her tired body like a rented mule. And it’s not like all them fine folks in their fine shoes and soft fabrics eating delicious meals on fancy gold rimmed plates, don’t give thanks to those who had a role in …. well for certain they give some kind thanks. Maybe it’s a catch all thanks. One that covers ALL the bases. Like a big creator. You know, the BIG creator. But some time they leave thanks in a fairly permanent way, you know, as when they do a statues that represent all that contributed to this uplift. And they make it in stone. Or bronze, which will be around for gosh, a long time. Unless it gets melted down and reused, for something like a bell. Or probably a canon.
I’ll give further thoughts in a later post.
Drawings made with various inks, DeAtramentis and Platinum Carbon and pigmented markers by Faber-Castell and White China markers on several different papers, Stillman & Birn, Tomoe River Paper, Strathmore.
Went to a life drawing session at the Palette & Chisel today and found my subject, an artist new to the P&C, Andrew, at work painting the model. He had a great head of hair an enjoyed trying capture his hands at various positions of work. Also like the way his shirt revealed his underlying features.
Hadn’t drawn the popular model Jayson in quite some time. These were drawn on various days but I like including them.
Revisions. “Work that page!!” I urge my students to make the most out of your sketchbooks and studies. This ledgerbook I’ve been drawing in since 2017 is getting worked over pretty thoroughly. I can’t leave alone pages of the quick 1-3 minute gesture drawings or sprints as I call ‘em. And if a figure drawing can’t stand on its own then I jump into any open space that begs to be assailed. Tends to keep things nice and loose. Robust. It’s a learning process in which I don’t want to be prissy or treat my studies as precious. The studies over the last 3 weeks of Elizabeth, Tor, Gretchen, and Bobby were slung onto sketches from 2017 and 2019. All done at the Palette and Chisel. I may like a figure but still feel the page needs work. Or, I may like a page as it’s developing but am disheartened by some of the studies. The first page, for instance, the drawing of the model on the step ladder irritated me for a few years and last night I dropped a pose of Bobby on it that I felt was one of my better studies this last month, and the gray background only served as a challenge to work highlights back into his shoulders and torso. The page of Elizabeth and Gretchen was fun and I liked the color play but Gretchen doesn’t look like Gretchen. And while I let go of getting a likeness if the structure and values and marks all add up to a well constructed head, but….I have drawn Gretchen scores of times and I confess, it bugs the bejezzus outta me that I miss the mark on her likeness. Maybe if I actually spent less time on the bloody internet and more time drawing.
Consider me a devout practioner of pentimento and palimpsest. sprawling the thought process out onto a page.
As for medium used, all the usual suspects are here, fountain pens, Platinum Carbon and DeAtramentis inks, grease pencil, and Faber-Castell Pitt Artist Pens.
Caught some artists life drawing and sketching out and about.
Fountain pen and Faber-Castell Pitt Artist Pens on Tomoe River Paper and Tomoe River Paper.