 
 
These recent pages were drawn in a ledger book given to me by Stuart Balcomb. The book was used to enter recording session info from Universal Studio sound tracks for mid ’60’s T.V. shows. Look close and you can see which ones.
Top image is the drawing I did back in August for the trade show poster. Pitt Artist Pens, Albrecht Durer watercolor pencils, and gouache on paper. Above left is aphoto of my ledger books and sketchbooks at my trade show demonstration table. Ducked into the Jordan Schnitzer Museum of Art during lunch for a quick look about.
Had to work 2 lonnnnnnnng days at the U of O Duck Store Tools of the Trade show in Eugene, Oregon which didn’t leave much time to scour about and draw so mostly limited to brief sketches. The hour and a half spent doing laundry late one night was the longest I had to just sit and draw. Drawings on the ivory paper we done with Pitt Artist Pens on Clairefontane paper in a Rhodia Web notebook.
I want to give a shout out to all the good folks at the U of O Duck Store in Oregon for all they did to support Doug Mooney and myself and especially to their crazed ring leader The Boodle’s Poodle herself, Rachel Witt and her Number One dude ridin’ shotgun, Mr. Dangerous, Christopher Smith, for commissioning the poster from me and for just being a tornado of inspired madness.
That’s my wheel man Doug Mooney puttin’ some wear and tear on the auto via the scenic route. Doug, my gal Jennifer, and I were hurrying and scurrying from a demo at Dots and Doodles in Astoria to a demo at in Portland. We were half an hour late. My sincere apologies to the good folks at Columbia Art & Drafting. Drawn with Pitt Brush Pens in a Bee Paper Super Deluxe sketch book at 65+ miles per hour.
After giving an afternoon demo at Central Art in downtown Medford, I checked in to a motel and went strolling for to take in the views. I’m often asked about the responses I get from people who see me drawing in public. There is quite a bit of curiosity, especially from children, and I’m generally open to sharing a glance at what I do. So when a fellow, who introduced himself as Dave, in an Oklahoma Univ. baseball cap, out walking his dog, asked if he could see what I was drawing I said sure. He was quite enthusiastic as I showed him several pages and described how I liked to draw from life and document my travels.
Our conversation seemed to evolve into personal histories fairly quickly and he explained that he had recently been “released” and had landed a good job as a machinist, had a good lady and was working to get back on his feet but was looking to move back to the Southwest. After describing my itinerant life style and being that I was parked on a bench a parking lot from the Greyhound bus stop, Dave asked how I was fixed for food and did I need a meal. I greatly appreciated his gestured and assured him I was all good in that respect. He said if I had some time in the area there were great places to hike and explore and named several spots to check out. We bid each other well and away he went.
Arrived by air to Florida’s state capital, Tallahassee, and one of the first things to grab my attention was a rather large model of the Titanic as it was found resting on the floor of the Atlantic Ocean. Drawn with Pitt Brush Pens on a beautiful little orange leatherette covered Rhodia notebook with blank ivory paper.
Draw this early morning scene on the left at the Addison Blue Line platform and the middle drawing of our plane on the tarmac on a spiral sketchpad by Stillman & Birn that was heavy enuff stock to take watercolor.
 
 
 
Enjoying a beverage and the view at funky 24 hour vegan coffee shop All Saint’s Cafe, Tallahassee. Pretty much packed a good deal of the time, even Saturday night, largely with students from nearby FAMU and FSU.
I was told that Tallahassee was quite fond of it’s trees and protected them with the weight of the law. Saw some gigantic pecan trees and big beautiful live oaks with long gray veils of moss. Sides were paved to swerve around some of the behemoths. The Thomasville, Ga. water tower was drawn on a Stillman & Birn pad with Pitt pens and Albrecht Durer watercolor pencils right before I did a workshop at the Thomasville Art Center which had been a Coca Cola bottling plant many years ago.
  
Drawn with Pitt Brush Pens and white China marker on a toned, recycled ( I think ) paper sketchpad by Utrecht. Love the atmosphere this paper imparts to the work but the paper has wood pulp in it.
 
 
 
 
 
Flew out of Tallahassee in a twin prop flying coffin that carried 18 passengers at max load. Felt like I was in a caulk gun.
 
 
 
Almost finished with this Veterinarian’s Daily Journal from 1959. 500 and a few extra pages.
Heading out of Chicago on a Mega Bus to Minneapolis. Got a great seat on upper deck behind forward stairs and I had a good view and could draw a man I believe is an actor/playwright/director talking to a passenger in front of me.
As soon as I hit Minneapolis Virginia McBride of Wet Paint picked me up at the bus stop and drove me to a super cool event at The Bell Museum of Natural History on the University of Minnesota campus for a free sketch night held on the first Thursday of each month. Organized by Jennifer Menken the staff would hold the living animals for you to get a close view if you wished. I had to scurry around the aquarium that kept these beautiful Tiger Salamanders in view cause them rascals would stare at me for a bit then slither off. The toothy beaver held still thanks to the efforts of a skilled taxidermist. Afterwards I was taken to The Blue Door where I had a delicious local brew, Surly Furious and my first battered and deep fried pickle.
Check out the view below, top left, from my hotel room in St. Paul, captured on a Stillman & Birn Delta series in Pitt Artist Pens. Who’d wanna leave the room with a view this captivating.
 
 
  
