Tagged: transit drawings

     

     

          

     

 

 

 

Back at the Palette & Chisel where I drew Anne sporting a new hairdo. You may have seen her, a model I’ve drawn several time (refer to posts “Sprints and Longer Poses” and “Nudes from the Past Month” where she can be seen with her signature Page Boy cut. A very good model, imaginative poses and really clear definition of muscles. She brings a very bright personality and baked goods. Drawn with Pitt Artist Pens and white China marker on recycled Utrecht paper.

The above drawings are from the tremendous show of WWII posters at the Art Institute of Chicago “Windows On The War”. Go on line and check out the large format, stenciled prints by the Soviet print collective TASS. I got stopped from sketching in the galleries by the guards who informed me of a sign I had walked right by without noticing that precludes tripods, flash photography, and sketching. I’ll make an effort to secure permission next week to do so but I’m not holding my breath. I guess it’s largely for insurance reasons but it’s gotten to be more of a pain in the ass trying to draw in some museums.

The blue ink is largely Noodler’s Bad Blue Heron though I make some use of Pitt Artist Brush Pens.

My darling Jenny in dirt farmer hat, ever the reader.

A view of Rachel’s super cool mid century modern kit house on bluffs above Lake Michigan. The reflection of the trees on the bedroom window had a spider web appearance.

Drawings from the beginning of June.

The page to the left is from an art materials trade show in Berkeley, California, from which I just returned.

After drawing in the larger ledger books I feel a bit cramped at times in books under 8 1/2″ x 11 but I have enjoyed this weird bird of a book, a Veterinarian’s Daily Record. The blue pages have their own set of peculiarities and the pages in general don’t really register the addition of a white grease pencil but I like the way it takes the FC Pitt Pens and the 2 fountain pen inks I’m making the most use of lately. Those inks, Noodler’s Kingfisher Blue and Platinum Carbon have great character on this stock. The Quo Vadis I just finished drawing in had a warm and beautiful ivory color and a creamier surface. The Vet’s ledger has more of an oatmeal tint and is coarser in texture but both ledgers prevent bled-thru nicely and the rougher tooth of the Vet. Daily Rec. gives a nice grainy effect when the ink is dragged across the page.

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